Jaroslav Švelch is an assistant professor at Charles University, Prague. He is the author of the recent monograph Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games (MIT Press, 2018). He has published work on history and theory of computer games, on humor in games and social media, and on the Grammar Nazi phenomenon. He is currently researching history, theory, and reception of monsters in games.
Education and training
- University of Bergen – postdoctoral fellow (July 2017–June 2019), team member, Games and Transgressive Aesthetics project
- Faculty of Social Sciences, Charles University – media studies (Ph.D., September 2013). Dissertation: The 8-bit “craze”: The Origins of Computer Gaming Culture in Czechoslovakia
- Microsoft Research New England – Ph.D. internship (September – December 2012)
- Massachusetts Institute of Technology – comparative media studies, visiting researcher on the J.W. Fulbright scholarship (September 2007 – January 2009)
- Faculty of Arts, Charles University – linguistics and phonetics/translation and interpretation (Master’s Degree, 2011). Thesis: Amateur Translation of TV Feature Series and Its Social Context.
- Faculty of Social Sciences, Charles University – media studies (Master’s degree, 2005). Thesis: Time stucture in narrative news stories.
- University of Glamorgan – media & communication, exchange student (September 2003-March 2004)
- Faculty of Social Sciences, Charles University – journalism (Bachelor’s degree, 2002). Thesis: The Relationship between the Verbal and Non-Verbal elements in the Čtyřlístek comics.
- research of theory, history and reception of video game monsters within the Games and Transgressive Aesthetics (GTA) project undertaken at the University of Bergen (2017-2019) and funded by the Research Council of Norway
- research team member in the POLCORE group at Charles University – research on political participation and civic engagement online
- research project at Microsoft Research New England on the making of physical humor in virtual spaces, supervised by Mary L. Gray and Nancy Baym – results to be submitted to the Television & New Media journal
methods: open-ended interviews (Skype and face-to-face), qualitative analysis of textual materials
- research at Charles University focusing on the social history of the gaming community in Czechoslovakia and the Czech Republic (2009-now)
methods: oral history interviews, qualitative analysis of textual materials
- two larger-scale studies of online interactions: a study of language management and multilingualism in online discussion forums, a study of amateur subtitling communities
methods: online ethnography, qualitative interviews, qualitative analysis of textual materials
- a study of moral identification in video games (methods: focus group)
- research assistant to Beth Coleman, Assistant Professor of Writing and New Media at MIT: research on the history of virtual worlds for Dr. Coleman’s book Hello Avatar (2008-2009)
Grants, scholarships, and awards
- Computer History Museum Prize awarded to the best monograph of the year within the field of history of computing for Gaming the Iron Curtain (2019)
- J. W. Fulbright Commission scholarship – one year research grant to study Comparative Media Studies at Massachusetts Institute of Technology, extended by another 6 months (2007-2008)
- Czech Science Foundation – project co-writer, team member on the grant The Role Of Social Media In Transformation Of Political Communication And Citizen Participation, awarded in 2013
- lecturer in game studies and new media and society at Charles University (2009-now) – 5 courses a year, Czech and English
- lecturer in game studies at Masaryk University in Brno, Czech Republic (2009-2015) – 2-4 courses a year, in Czech
- lecturer at New York University‘s Prague campus: Business and culture of digital games (2017)
- lecturer in an EU media literacy program – lecturing and leading workshops with high school teachers
A complete list generated by Zotero follows below. For citations, see my Google Scholar profile.
Selected lectures and keynotes
- Mar 2019 – Stanford University | Gaming The Iron Curtain: The Subversive Computer Game Culture of 1980s Czechoslovak Paramilitary Clubs
- Jul 2018 – Digital Games Research Association (DiGRA) 2018 conference, Torino | Keynote speech – Coding Acts: Games as Messages in 1980s Czechoslovakia
- May 2018 – Cologne Game Lab | We have always been indie: Making computer games in Communist-era Czechoslovakia
- Mar 2018 – MIT Game Lab | Video game monsters: Simulating the unknown
- Sep 2017 – Future and Reality of Games conference, Vienna | Keynote speech – We have always been indie: Lessons from social history of game making in 1980s Czechoslovakia
- March 2016 – University of California, Santa Barbara | Computer Games as Resistance in Soviet Era Czechoslovakia: A Heritage of Political Participation through Game Design
- March 2015 – Concordia University, Montreal | Games as Resistance in the 1980s Czechoslovakia: A Pragmatic Approach to the Study of “Political” Games
- June 2014 – ITU Copenhagen | What 1980s Czechoslovak digital games can tell us about the medium: Theoretical challenges and contributions of local game histories
- Dec 2012 – MIT Game Lab | Comedy of Contingency: Making Physical Humor in Virtual Game Spaces
- Nov 2012 – NYU Game Center | The Unintended Avant-garde – Two stories from 1980s European game development
- game journalist – Level magazine, since 2013
- music journalist – Spark magazine, since 2001; Rock&Pop magazine, 2006-2008, 2010-2011; Play.cz, 2008-2010, Full Moon magazine (occasional contributor)
- translator (English into Czech and Czech into English)
- independent musician and songwriter (with the band Rest In Haste, co-founded in 2006)
- @raguklemenso on Twitter
- svelch.com – academic blog since 2011
- differentgaming.blogspot.com – academic blog about game studies since 2008, now inactive
- Czech – native, Slovak – passive, Polish – passive (reading only)
- English – near native
- German – intermediate
Fields of interest
- digital games history
- video game monsters
- games and morality
- new media
- social media
- ethics in new media and digital games
- online sociolinguistics and language management
- media history
- user generated content and amateur translation
Publications for download (pre-print versions of non-open-access work)
- Švelch, J. (2017). Keeping the Spectrum alive: Platform fandom in a time of transition. In M. Swalwell, H. Stuckey, & A. Ndalianis (Eds.), Fans and videogames: Histories, fandom, archives (pp. 57–74). Routledge.
- Sherman, T., & Švelch, J. (2015). “Grammar Nazis never sleep”: Facebook humor and the management of standard written language. Language Policy, 14(4), 315–334. https://doi.org/10.1007/s10993-014-9344-9
- Švelch, J. (2013). Monsters by the numbers: Controlling monstrosity in video games. In M. Levina & D.-M. T. Bui (Eds.), Monster culture in the 21st century: A reader (pp. 193–208). Bloomsbury Academic.
- Švelch, J. (2010). The Good, the Bad, and the Player: The Challenges to Moral Engagement in Single-Player Avatar-Based Video Games. In Schrier, Karen & Gibson, David (Eds.), Ethics and Game Design: Teaching values through play(pp. 52–68). Hershey, PA: Information Science Reference.
- Švelch, J. (2010). The context of innovation in metaphorical game design : the case of Deus Ex Machina. In C. Klimmt, K. Mitgustsch, & H. Rosensting (Eds.), Exploring the edges of gaming: proceedings of the Vienna Games Conference 2008 – 2009: future and reality of gaming (pp. 303–313). Wien: Braumüller.
- Švelch, J. (2010). Selling games by the kilo: using oral history to reconstruct informal economies of computer game distribution in the post-communist environment. In C. Swertz & M. Wagner (Eds.), Game\Play\Society: contributions to contemporary computer game studies. München: Kopaed.
- Švelch, J. (2008b). What you can’t see is what you don’t get: paradigms of game world visualization. In Proceedings of the 2008 Conference on Future Play: Research, Play, Share (pp. 212–215). Presented at the Future Play 2008, New York, NY, USA: ACM. doi:10.1145/1496984.1497026